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A fieldwork on the move. Fare autoetnografia alla Biennale d’Arte di Venezia
Abstract
The paper provides an ethnographic analysis of the 2013 International Art Exhibition of the Venice Biennale. The methodological approach to research and writing is based on autoethnography and shadowing. The text defines the fieldwork as a “field of practices” which is performed in observing visitors’ trajectories
Keywords
International Art Exibition; ethnography; shadowing; serendipity; Venice; field of practices.
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PDFDOI: http://dx.doi.org/10.12835/ve2015.1-0046
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ISSN Print 2499-9288
ISSN Online 2281-1605
Publisher Edizioni Museo Pasqualino
Patronage University of Basilicata, Italy
Web Salvo Leo
Periodico registrato presso il Tribunale di Palermo con numero di registrazione 1/2023