Vol 11, No 2 (2022)

Vol 11, No 2 (2022)

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Table of Contents

Cover and Summery
 
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ARTICLES

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Photographing a lexicon of material life. The images of Sardinia by Max Leopold Wagner (1905-1927)
Felice Tiragallo
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The contemplative style in the ethnographic documentary between observation and immersion
Francesco Marano
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Intervistare attraverso le immagini: autorialità, contaminazioni e collaborazioni nella produzione del film Il rituale del passaggio
Antonino Milotta, Filippo Torre
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The vernacular house in rural slovakia and its exterior architectural elements in tangible and intangible perspective: from the dwelling to the heritage
Dorina Dragnea
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The Fire-Festivals of Cinema: how Frazer invented ‘folk horror’
Michele Catapano
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PHOTO-ESSAYS

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Amoebas: Socio-territorial metamorphosis in venezuelan migrants’ neighborhood. The case of Villa Caracas in Barranquilla (Colombia)
José Manuel Romero Tenorio, Davide Riccardi
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The performative potential of ethnographic photography: a weapon against social injustices?
Raùl Zecca Castel
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Vernacular imaginary, forms of visual memory, elicitation and aesthetic community in an ethnographic research
Marina Berardi
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BOOKS, FILMS, AND CD-ROM RECEIVED

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Books, films, and cd-rom received
Pietro Meloni
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