| Issue | Title | |
| Vol 10, No 1 (2021) | Summary Vol. 10, n. 1, 2021 | Details PDF |
| Visual Ethnography | ||
| Vol 3, No 1 (2014): Towards a "Visual Turn" in Urban Studies? Photographic Approaches | "Talking walls": the imaginary of the graffiti's aesthetic | Abstract HTML |
| Fabio La Rocca | ||
| Vol 6, No 1 (2017): Visual Ethnography. Tools, Archives and Research Methods | Techniques of Mobilisation: Dialectic Development of Sharedness through Virtual and On-The-Ground Practices | Abstract |
| Sanne Bergh | ||
| Vol 2, No 2 (2013) | Telling about the other. Identity, narratives and the limits of the photographic medium | Abstract HTML |
| Maria Lopez Yuste | ||
| Vol 12, No 2 (2023) | The advent of ourselves as others. Family films and anthropology | Abstract |
| Alessandra Gribaldo | ||
| Vol 1, No 2 (2012) | The Amazons of Aquarius: an ethnographic journey in Second Life | Abstract PDF HTML |
| Elena Quintarelli | ||
| Vol 5, No 1 (2016): Participatory Approaches to Visual Ethnography from the Digital to the Handmade | The Anthropologist as Curator: Introducing a Digital Photography Exhibition as a collaborative and Participatory Fieldwork Method | Abstract |
| Shireen Walton | ||
| Vol 9, No 1 (2020): Ethnographically Grounded Music Videos: Experiments in Musical Ethnofiction | The Banquet of (Cultural) Commons | Abstract PDF |
| Raúl de Arriba, María Vidagañ | ||
| Vol 13, No 1 (2024): Bodies in the mirror. Reflections on reflections | The Battle of the Barbers: a photographic essay | Abstract |
| Cristina T. Marins | ||
| Vol 10, No 1 (2021) | The Becoming: Young Working-Class Masculinities in Nepal | Abstract PDF |
| Mark Turin, Daisy Yang | ||
| Vol 12, No 2 (2023) | The Border: Resisting monocultures in Central Italy | Abstract |
| Alexander Koensler | ||
| Vol 14, No 2 (2025) | The castle neighbourhood through children’s eyes: A study in photography and critical practice | Abstract |
| Idil Asan | ||
| Vol 13, No 1 (2024): Bodies in the mirror. Reflections on reflections | The Chimera Manifesto. “The animalization of the female body”. An essay about aesthetic medicine | Abstract |
| Isabel Pires | ||
| Vol 10, No 2 (2021): Ethnography and Photography Today: New Perspectives, Technologies and Narratives | The City at the End of Things | Abstract PDF |
| Damián Arteca | ||
| Vol 11, No 2 (2022) | The contemplative style in the ethnographic documentary between observation and immersion | Abstract |
| Francesco Marano | ||
| Vol 6, No 1 (2017): Visual Ethnography. Tools, Archives and Research Methods | The Day My Photographs Danced: Materializing Photographs of My Anishinabe Ancestors | Abstract |
| Celeste Pedri-Spade | ||
| Vol 7, No 2 (2018) | The DSLR Revolution and its Impact on Documentary and Ethnographic Filmmaking | Abstract |
| Petr Nuska | ||
| Vol 12, No 2 (2023) | The ethnographic film as a way of thinking: responsibilities of the encounter with the other | Abstract |
| Ana Clara Roberti, Helena Santos, Daniel Brandão | ||
| Vol 9, No 2 (2020): Dwelling. An Ethnographic Approach | The Ferrara school of cinema | Abstract PDF |
| Giuseppe Scandurra | ||
| Vol 11, No 2 (2022) | The Fire-Festivals of Cinema: how Frazer invented ‘folk horror’ | Abstract |
| Michele Catapano | ||
| Vol 10, No 2 (2021): Ethnography and Photography Today: New Perspectives, Technologies and Narratives | The Golden Bough | Abstract PDF |
| Gianluca Ceccarini | ||
| Vol 14, No 1 (2025): Moving images across borders: visual and digital resonances of human (im)mobilities | The guardian of forest and forest-dwelling communities in Sundarban: An ethno-photographic account of the Bon Bibi worship and livelihood struggle | Abstract PDF |
| Amir Sohel, Farhat Naz | ||
| Vol 13, No 2 (2024): Art and Anthropology: Work and Life | The incommensurability of making | Abstract |
| Michele Feder-Nadoff | ||
| Vol 11, No 1 (2022) | The Jeopardized ‘Hanji’ of Kashmir Valley: A Visual Ethnographic Note | Abstract |
| Hashmat Habib, Siwani Mech | ||
| Vol 10, No 1 (2021) | The Kamot Ganga Puja: Sharks of Sundarban | Abstract PDF |
| Raj Sekhar Aich | ||
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