|
Issue |
Title |
|
Vol 11, No 1 (2022) |
Photography Documentary on Social Issues Orang Seletar Malaysia |
Abstract
|
Loh Yoke Ling, Yu Wei Koo, Mohd. Nor Shahizan Ali, Sarina Yusuf |
|
Vol 9, No 2 (2020): Dwelling. An Ethnographic Approach |
Photography, feelings and homes |
Abstract
PDF
|
Filippo Steven Ferrara |
|
Vol 7, No 1 (2018): Art-Based Ethnography. Experimental Practices of Fieldwork |
Photos from the Field. Thinking immigrants’ therapeutic itineraries through ethnography-based art |
Abstract
|
Chiara Pussetti, Vitor Barros |
|
Vol 1, No 2 (2012) |
Place des femme dans l'univers des oiseaux de combat à la Martinique |
Abstract
PDF
HTML (Français)
|
Michel Tondellier, Jean-Michel André |
|
Vol 8, No 2 (2019) |
Poetic Visuality. An Essay on the Carceral Experience |
Abstract
|
Martha-Cecilia Dietrich |
|
Vol 2, No 1 (2013) |
Poliphonia. Albania's forgotten voices |
Abstract
HTML
|
Eckehard Pistrick, Biørn Reinhardt |
|
Vol 9, No 2 (2020): Dwelling. An Ethnographic Approach |
Ponticelli. The unexpected |
Abstract
PDF
|
Giovanna Marrazzo |
|
Vol 5, No 1 (2016): Participatory Approaches to Visual Ethnography from the Digital to the Handmade |
Portraits of Change by Farmers in Southern Guinea-Bissau |
Abstract
|
Joana Roque De Pinho |
|
Vol 3, No 1 (2014): Towards a "Visual Turn" in Urban Studies? Photographic Approaches |
Portraying the divide city. Photographing the Belfast peacelines |
Abstract
PDF
|
Florine Ballif |
|
Vol 8, No 1 (2019): Visualising the City |
Precarious Spaces: Visualising Unofficial Sacredness |
Abstract
|
Terence Heng |
|
Vol 9, No 1 (2020): Ethnographically Grounded Music Videos: Experiments in Musical Ethnofiction |
Queer Antiracist Vigilance: Pinkwatching ‘Queer Investments’ in State Racist Violence |
Abstract
PDF
|
Amar Wahab |
|
Vol 11, No 1 (2022) |
Reappropriating the Trincheira-Bacajá Indigenous Land |
Abstract
|
Bepkyi Xikrin, Paride Bollettin |
|
Vol 1, No 1 (2012) |
Received Books, Films, CD |
Abstract
PDF
|
Journal VE |
|
Vol 1, No 2 (2012) |
Recensione a "Jazz Cosmopolitanism in Accra: five Musical Years in Ghana" di Steven Feld (Duke University Press, 2012, 328 pp.) |
Abstract
PDF (Italiano)
|
Lorenzo Ferrarini |
|
Vol 1, No 2 (2012) |
Recensione a "Rappresentare. Questioni di antropologia, cinema e narrativa", a cura di Adriana Destro (Bologna, CLUEB, 2012) |
Abstract
PDF
|
Giacomo Golinelli |
|
Vol 6, No 2 (2017): Collaborative Art Practices and Their Dynamics |
Renato Boccassino, Birth and Death among the Acioli: Ethnography on Display |
Abstract
|
Antonello Ricci |
|
Vol 8, No 1 (2019): Visualising the City |
Repurposing Liverpool's Waterfront as a LIminal 'Military Landscape': a Photographic Essay |
Abstract
|
Ross McGarry |
|
Vol 7, No 1 (2018): Art-Based Ethnography. Experimental Practices of Fieldwork |
Review of 'Sacred Mountains. Abrahamic Religions and Musical Practices in the Mediterranean Area', a video by Nicola Scaldaferri |
Abstract
|
Diego Pani |
|
Vol 1, No 2 (2012) |
Review of "Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana" by Steven Feld |
Abstract
PDF
|
Lorenzo Ferrarini |
|
Vol 4, No 2 (2015) |
Review of "Kalanda: Knowledge of the Bush" |
Abstract
|
Felicia Hughes-Freeland |
|
Vol 5, No 2 (2016): Exploring Digital Ethnography through Embodied Perspective, Role-Playing and Community Participation and Design |
Review of the film "East of Salinas: A Story of Immigration, Childhood, and Circumstance" |
Abstract
|
De Ann Pendry |
|
Vol 6, No 1 (2017): Visual Ethnography. Tools, Archives and Research Methods |
Review of the film "J. C. Abbey, Ghana’s Puppeteer" |
Abstract
|
Rina Sherman |
|
Vol 6, No 2 (2017): Collaborative Art Practices and Their Dynamics |
RMHC. The Shaping of an Archive for the 90s Roman Hardcore Community |
Abstract
|
Giulio Squillacciotti |
|
Vol 6, No 2 (2017): Collaborative Art Practices and Their Dynamics |
Robert de Wavrin, from the Manor to the Jungle |
Abstract
|
Christine Moderbacher |
|
Vol 5, No 2 (2016): Exploring Digital Ethnography through Embodied Perspective, Role-Playing and Community Participation and Design |
Shared Visions |
Abstract
|
Francesco Dragone |
|
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